Totally Rad

Hello! I hope everyone had a fabulous week!

I had a week that pretty much wiped me off of my feet, which is how I ended up, with my trusty Netflix account, watching Beverly Hills Cop.

It had been forever and a day since I'd seen it, but laying there with my nutritional yeast covered popcorn (don't knock it until you try it), watching Eddie Murphy run around shooting people was exactly the therapy my soul needed. The man even makes a car break down by stuffing bananas in the tailpipe. Seriously, what more could you need?

I love films from the 1980's. Despite the crisp, clean, shiny feeling that all new movies seem to have, I still love hearing that synthesizer theme song and terrible dialogue. So, in case you need to be convinced as to why 1980's films are the bomb, here is why I adore them:

1. 1980's film plots didn't have to make sense.

No, seriously, as long as there was dialogue, some form of a climactic story-arc and inspirational sounding synthesizer music you could have written any plot and put it on the screen. And people did.

You want a story about a kid who fakes being sick for a day then runs amok; avoiding his parents and the principal, destroying an expensive car  and somehow managing to hijack a parade float? Sure! We'll give you Ferris Bueller's Day Off!

You want a movie about a teenager trying to win back his girlfriend from a skiing bully? You also desire that this movie include an entire montage of dancing fast food hallucinations that serve no purpose to the plot? Oh, and you also want the movie to be almost entirely comprised of dialogue like this:

Just go watch Better Off Dead!

There is something fantastic about watching a film that had a basic premise that someone just said, "You know what? Maybe we just need to throw a random scene where someone attempts to get high by snorting fully set Jell-o! Oooh! I know! Let's throw in a fanatical, and possibly psychotic, paperboy who will travel to the ends of the earth for two dollars!"

And that is how 1980's film plots pretty much go.

2. Bad guys in the 1980's were completely ineffective at life.

It always amazed me that villains in 1980's action flicks hired the most incompetent henchmen ever. With all the money they were shelling out to employ these losers, you'd think that requirement number one on the job description would be, "Can hold, load and fire a gun and be able to hit the broad side of Texas."

Your generic 1980's bad-guy underling might as well be given a Supersoaker full of bubbles for all the good they did defending their evil overlords. It constantly confounded me while growing up that the bad guys would face off against the hero, empty countless clips and do nothing more than modify the scenery and possibly trim a topiary. Then the hero would step out and basically blindly fire, like the picture to the right, and every human being in a ten mile radius would hit the dirt.

The only time a hero is actually shot is if it makes him or her look more tough, and half the time I think she or he had to jump in front of a bullet to get it to hit them!

3. People were extremely philanthropic in 1980's movies.

Coolest High School Janitor Ever!

Apparently it was normal in the 1980's for some kindly old janitor  at your high school to take you in, train you in some random martial art and then give you a classic car. At least the kid in Karate Kid didn't seem overly surprised about this.

It is also fairly common for a random old scientist to befriend local teenagers and allow them to play with their extremely expensive technical equipment, even when they blow the living crud out of it. After all, that's basically where the plot to Back to the Future came from.

4. The future was so much cooler in the 1980's than it actually turned out to be.

Speaking of Back to the Future where are my flying cars and hoverboards? Also, I think my lightsaber is long overdue and I haven't even heard hints of magical food packets that we can stick in a machine and magically hot and delicious food will pop out. Come on science, get with it!

5. Heroes didn't have to be complex.

While I enjoy my modern renditions of Batman and Spiderman as much as the next person, I also sometimes enjoy just watching mindless destruction at the sake of saving the world. Why does the world need saving? Umm... reasons?

Let's face it they all had reasons to cause wonton destruction (90% of the time it was revenge), but normally those plot devices were kind of lame.

A drug dealer attacks your buddy? You turn in your license to kill and go wipe out the equivalent of the population of a South American country to get your revenge. You also must make at least one building explode and kill a maniacal mastermind. That's it, that's all you need to be a 1980's action hero. No deep, dark secret, no inner-turmoil or conflict. You just need to know you're the good guy, and they are all bad guys.

6. If someone ever needed to train for something, there was always a band nearby to play awesome workout montage music.

Remember this little gem?

How would Sylvester Stallone have ever survived Mr. T without his theme music?

7. Evil masterminds almost always defeated themselves with monologue.

20 Minutes Later...

"Alright Johnny Goodguy, I have you tied to a chair and completely at the mercy of my amazing array of weaponry. Before I kill you however, I am going to explain every last detail of my nefarious plot, taunt you, read you my college dissertation and then show you a slideshow of evil kittens..."

I wonder how many times the world would have been destroyed or taken over if the evil mastermind had just cut out his ten-minute monologue and just shot the hero without further explanation?


 So, what were all of your favorite things about films in the 1980's?

In other news, thank you everyone who put a bid in at the Washington Chapter of the Modified Dolls' auction for the signed copy of "Life is a Circus Run by a Platypus!" The auction raised quite a bit of money for the Not For Sale Campaign!

As always, I can be found on Facebook, Twitter and Goodreads!

Some Days I Feel Like an Animal in the Zoo

Well hello all of my weekday warriors! I'm hoping you all survived the week with relatively few harmful hijinks!

I have just a quick announcement before we get into the meat of this week's post. The Washington Chapter of the Modified Dolls is holding an auction to benefit the Not for Sale Campaign.

The Not for Sale Campaign helps bring awareness to the subject of human trafficking and helps victims of modern-day slavery. The Modified Dolls is a national organization of tattooed women who get together to support worthy causes. So basically, they combine two of my favorite things, altruism with body art!

I have entered a signed copy of "Life is a Circus Run by a Platypus" into the auction. If you want to enter the bidding click here.

I would also encourage you to check out the other items in the auction, there are some pretty sweet items up for the bidding there and all the proceeds are going to help end human trafficking.

You know those jobs that kids dream about getting when they grow up? Bill Naylor actually got one of those jobs: he has spent much of his life as a zoo keeper.

Not only did Bill spend many years surrounded by exotic animals, he also wrote material for several comedians. So what step can one take after such a varied and prolific career? He decided to write a book. Lucky for you and I, he also agreed to an interview!

Have you ever wondered, could my job get any worse? Bill Naylor's "Misadventures of a Zoo Keeper" pretty much answers that question for you, and the answer is, "Yes, it really, really can."

From being attacked by an amorous duck to explaining the dangers of the cassowary (yes, I had to Google what that was too), Naylor presents a world unfamiliar to most of us as he explains parts of his life as a zookeeper. With pearls of wisdom such as, "...he who hesitates gets bitten," this book flows from one hilarious story to the next. With stories that prove that truth is by far funnier than fiction, "Misadventures of a Zoo Keeper" is sure to make even the most austere person grin.

Here is an interview with author Bill Naylor.

1. How did you get into comedy writing?

I basically rang up producers of TV shows threatening to jump off something high if they didn’t read my scripts. The first joke I sold wasn’t even spoken, it was flashed up on screen. "Wailing Wall for sale, only one previous moaner!” 

2. You've written material for several comedians, which one was your favorite to write for?

I wrote for over a hundred comedians and comedy shows, mainly British, over a twenty year period. So it’s hard to choose one. Les Dawson, Russ Abbot, The Two Ronnies, are ones that stand out. The worse comedy actor I wrote for didn’t know funny from a migraine. When I told him my gag, "never play darts with a guy who has a bald head, he just won’t stick in the board," he said, “Nobody  plays darts with a guy who has a bald head, you use darts.” 

 

3. Of all the animals in the zoo, which was your absolute least favorite and why?

That would be a toss up between a hairy nosed wombat and a hippo. The hippo because they weigh two tons and are mega poop machines. They have a tail shaped like a like a toilet brush and scatter you know what everywhere. In an African river it’s not noticable. But in a zoo? Hippo keepers are equipped with spiked boots and ice axes as every hour they are confronted with a mountain range of  poop.  

The Hairy Nosed Wombat (A.K.A. Houdini)

The other animal I disliked was a  hairy nosed wombat, because I never ever saw the charming animal I looked after. He regularly tunneled out of his enclosure and went  wombat walkabout, The sign on his cage read, “On Tour." He’d usually tunnel into other animals enclosures.  Consequently we had to leave extra food in all the other animal enclosures for HNW. He also had the irritating habit of digging a new tunnel every time he vacated an enclosure. So the zoo section I was responsible for looked like a building site.

 
4. How on the earth did you end up a zookeeper, and how long were you employed as one? 

Had loads of pets, waifs and strays and exotic animals as a boy. “That bloody menagerie,” my dad called it. Started at Chester Zoo England aged sixteen, worked in zoos and wildlife parks around the world till I was fifty something. But also had a parallel career as a writer. Wrote articles on wildlife, which I still do. Have sold short stories, and comedy scripts from the age of thirty.    
   

5. At what point, during your rather tumultuous career, did you stop and say, "I really need to start writing some of this stuff down?"

I always have written ideas down. But realised a few years back, that during my time in zoos I had worked with some strange, bizarre and scary creatures. Mostly humans. So I started to put some stories together. 

6. If you could choose a comedian (not including those you wrote for) to go bowling with, whom would you choose?

My favourite English comedian is Michael Mcintyre. But I’d like to go bowling with a young Jerry Lewis. because in the “Nutty professor” he went down the bowling lane with his finger stuck in the ball, and I’d like to see him do that again. 

7. Are you planning on following up "Misadventures of a Zoo Keeper" with another book?

 I've had a few ideas in the pipeline, and people are keen for “More Misadventures of a Zoo Keeper." I haven't as yet decided.

If you are interested in "Misadventures of a Zoo Keeper" you can check it out on Amazon!

As always, feel free to check out my exploits on Facebook, Twitter and Goodreads!